Book classification:Fiction & Literature,English Books,
No. of pages:168 Pages
Format:Paperback
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About this Product
First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem lifelike or realistic. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.