Tom Stoppard : The Moral Vision of the Major Plays

Every four or five years Britains most prominent dramatist pulls out all the stops and writes a major stage play of his own. Between plays, Stoppard the craftsman does translations, screenplays, light entertainments, and work for hire. Delaneys book is the first to focus on the major plays. Spanning Stoppards career from Rosencrantz and Guildenstern are Dead (1967) to Hapgood (1988), this study shows the figure which Stoppard from the first has been weaving in his theatrical tapestry. That there is development in Stoppard is clear but - as Delaney demonstrates - the development is from moral affirmation to moral application, from the assertion of moral principles to the enactment of moral practice. Such development from precept to praxis demonstrates organic growth rather than radical metamorphosis. Using Stoppards words in a number of little-known interviews as a starting-point, Delaney shows how the major plays bear out Stoppards contention that he tries to be consistent about morality. The volume contains the most extensive bibliography and discography of Stoppard interviews (over 200 including print and broadcast sources) ever compiled.