Femininity

From the 1980s onwards, the incidence of eating disorders and self-harm has increased among Japanese women, who report receiving mixed messages about how to be women. Mirroring this, womens self-directed violence has increasingly been thematised in diverse Japanese narrative and visual culture.

This book examines the relationship between normative femininity and womens self-directed violence in contemporary Japanese culture. To theoretically define the complexities that constitute normativity, the book develops the concept of contradictive femininity and shows how in Japanese culture, womens paradoxical roles are thematised through three character construction techniques, broadly derived from the doppelgنnger motif. It then demonstrates how eating disorders and self-harm are included in normative femininity and suggests that such self-directed violence can be interpreted as coping strategies to overcome feelings of fragmentation related to contradictive femininity. Looking at novels, artwork, manga, anime, TV dramas and news stories, the book analyses both globally well known Japanese culture such as Murakami Harukis literary works and Miyazaki Hayaos animation, as well as culture unavailable to non-Japanese readers. The aim of juxtaposing such diverse narrative and visual culture is to map common storylines and thematisation techniques about normative femininity, self-harm and eating disorders. Furthermore, it shows how womens private struggles with their own bodies have become public discourse available for consumption as entertainment and lifestyle products.

Highly interdisciplinary, it will be of huge interest to students and scholars of Japanese studies, Japanese culture and society and gender and womens studies, as well as to academics and consumers of Japanese literature, manga and animation.