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Palgrave Macmillan
Critical Race Theory and Copyright in American Dance : Whiteness as Status Property
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About this Product
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loيe Fuller, George Balanchine, and Martha Graham.
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